Thursday, March 3, 2011

Surenos En Nasville Tn

No, not go ..

C'mon, why are you leaving? No, stay. "

This is it, what seemed like a beginning of spring decided to go back to bed. Tse when you can not trust the seasons. Ben's right. This morning when I woke up I thought I saw the neighbor's dog petrified by the cold. I immediately said, "Well no, come on. This is not true? Hémoroïdes That's who he is as mobile as Paris Hilton wax?". No! We know it was cold.

I know that winter is not officially over, but cuddly mother nature, to stop playing scared in the worst PMS gives us either winter or spring. A true daughter this, I give you a bit worse .. ah spring! of the shit, V'la winter.

In any case, we are still in March. And who said in March said, in a few days ahead of time we said, in two weeks is the "spring" and said, in three weeks is my birthday. I am tripping!. A big 22 years. Already. It goes by so fast! (In a nod to Emily) Messemble that I can still see any minuses with the only way to find myself in a crowd, a mustache of grape juice on the mouth.

As the years advance, the more I said that I am becoming more and more stupid. But it is anyway and I like it. Not stupid in the end; "I feel like putting a finger into a shredder" (a nod to Janil'ee) but more in the direction; "Ha ha! You're so niaseux, but funny teasing. " More in this sense.

older I get, the more I assume myself as a person, as a humorist. As my point. Plus I assume myself, the more I'm stupid. It's a vicious circle. But a good cycle. Anyway. You understand?

short, I love life, spring, children with mustaches grape juice worse vicious circles. As soon you

.
D.

Saturday, February 26, 2011

Los Hombres De Paco Transmisión

The Tennis Club offers Langueux the tennis chair, flanked by two qualified coaches.

David Le Mercier et Emmanuel Connan, formés spécifiquement à l'enseignement du tennis fauteuil, sont à la disposition des adhérents deux après-midi par semaine.
The Tennis Club Langueux (TCL) was established in November 2009 a section of wheelchair tennis, affiliated to the French federation for the disabled. The TCL is the only club in the department to propose the tennis chair, flanked by two qualified coaches. TCL
This initiative has been promoted, the club has received this year the label "Sport and Disability 22", issued by the Departmental Directorate of Social Cohesion (DDCS), certifying that the public reception with disabilities and practice sports are safe.
Home optimum conditions
Players wishing to play tennis wheelchair, whether for leisure or competition, are at TCL optimal reception conditions.
David Mercier and Immanuel Connan, coaches trained specifically for wheelchair tennis are available to players two afternoons a week on Tuesdays and Thursdays, 14 am 30 to 16 h. Hardware side, the club acquired with the help of the MMA Foundation, two seats that are available to practitioners. Also in terms of equipment, the town completes the construction of a 3 rd indoor tennis court with disabilities upgrading of the entire complex.
"The capacity of the section, in terms of coaching and slots can accommodate new practitioners, beginners and leisure, as training for those who wish to compete. Christophe Pinna and was selected to participate in the championships of France from March 17 to 20 in Lyon receives specific training. Emmanuel and I are available to interested persons who wish to make a few test sessions, "said David Le Mercier.
Contact: David Mercier, coach, tel. 06 50 61 03 73.

(Source: http://www.ouest-france.fr/actu/actuLocale_-Le-Tennis-club-peut-accueillir-d-autres-pratiquants-en-fauteuil-_22106-avd-20110224-59965992_actuLocale. htm )

Wednesday, February 23, 2011

Illinois Drivers License Hologram

DO NOT FORGET WHERE YOU COME: "Urethra POSTCARD PICTURES" OF GILBERT AND GEORGE


@ courtesy Galerie Thaddaeus Ropac




" if you do not know where you go, at least look at where you came . Shedding of their characters, with the series "Urethra postcards pictures," Gilbert and George, beyond their customary provocation, do they not arise eventually look more serious about our condition?

















A large series of tables, horizontal and vertical, aligned next to each other. They repeat exactly the same pattern: twelve images that surround another, placed in the center, symbolizing the shape of the urethra. Below this figure, a short essay with the title and name of the work.
In "Postcard Urethra pictures, as this exhibition is the theme dear to both artists, sex, religion, nationalism ...


@ courtesy Galerie Thaddaeus Ropac



"Urethra post card "falls outside the usual procedure of Gilbert and George, this staging of the person, sometimes carried to excess, where they appear, either in this eternal suit and tie or naked, in situations scabrous , fingering sex, scatological Only ... The series title is itself a hallmark of the duo. It is clear they disappear behind their works here ...

Gilbert and George built " Urethra , from a simple and accessible language that everyone can easily write: postcards, brochures, flyers. They play with elements that we all know, who are part of our everyday life. They sort of reshuffling the cards of a set of known figures, rearranging as they wish, their subjectivity.

Faced with the works of Gilbert and George, a vague feeling of confusion, ambiguity, ambivalence can take us.





@ courtesy Galerie Thaddaeus Ropac





Kitsch in choosing these cards, maintaining the chromosome, the image of Epinal, the commonplaces of a country, Britain , a city, London: monuments, soldiers of the Royal Guard, Union Jack. Platitudes that come tickle the collective imagination, our representations of a country ... At first glance, Gilbert and George often go for mischievous pranksters, playing a merry, often appearing to hide behind an egotistical marked by excessive self-representation. Self-representation, one can speak of role, which dissolved the identity of a trademark, a product.

"The hyperbolic rhetoric of kitsch and unmotivated is immodest because it reveals the familiar forms of anonymity, that is to say the progressive impoverishment of properties produced by the utterance when praxis it socializes forms. Kitsch is the result of the strain associated with this depletion anonymous deformation unbearable, unbearable, suffocating as it is the opposite of singling specific form of life Individual * cf: note


@ courtesy Galerie Thaddaeus Ropac


The anonymity of the form back to our own anonymity. "Urethra postcard pictures " just tip us into the tragedy of our existence. Despite the celebration the modern world which claim to Gilbert and George (see interview), they are not fooled by this existential unease with the daily return to anonymity.



tragic because we are immersed in a daily fact of phone numbers, solicitations to eat through sex ads, referred to our loneliness ... tragic in this format, this staging of modernity, this series of paintings by this alignment of identical patterns, this accumulation covering space walls ... We feel overwhelmed, and what is presented offers little catch ... We are caught in the mirror of what we are ... These works, set next to each other, rather violently affect the uniformity modern society, and seem to resonate as much epitaphs engraved in a mausoleum. Gilbert and George carry a rhetorical iteration does, after all, only take what we create.


@ courtesy Galerie Thaddaeus Ropac



Leaving traces finally here, decorum, the ornamentation which, in general, invade and proliferate in their photographs ... It remains the case ... As a strip, the process and raise the self-mockery of their characters.

It remains for us to piss, enjoying, breeding or produced by the same channel, and what we come, urethra, takes us to our inevitable and become fatal ...


* Pierluigi Basso-Fossali. thresholds of kitsch: the "logic of the bazaar" to "Redemption (apparent) in quotes." Test on ictal semiology management valuations 1 . New Instruments Semiotics [ online ]. Conference proceedings, 2006, kitsch and avant-garde cultural strategies and aesthetic judgments.


GILBERT & GEORGE

Urethra POSTCARD PICTURES
February 17 to March 19, 2011

Galerie Thaddaeus Ropac
Debelleyme 7 RUE, 75003 PARIS FRANCE
TEL 331 4272 9900 Fax 331 4272 6166
galerie@ropac.net


Interview with Gilbert and George made Thursday, February 17




Transversales : Where did the idea for this series, is this the hidden part of your creation? Recycling of archives? Once you delete a little?

Gilbert and George:

We have collected these documents for 6 or 7 years. Initially, these documents were feeding the series "Jack Freak Pictures" and here we decided to take these documents and transform them into works. In fact, it has long we collect such documents, since 1972, in fact ... Instead of taking pictures, we found the postcards, which was easier ... At the time, it was also easier to have a diversity of subjects (people who drink, actors, fountains ...) Now, these cards are standardized ...
All 5 or 6 years, we establish selection criteria and undertake work on the documentary aspect ... is a way for us to paraphrase modern life through these cards, these flyers ...
Obviously we establish a strong relationship also with the government, sex, religion ... The sign of the urethra We were fascinated, in each work, including those presented in this case here, there is a moral dimension ... See the urethra which passes urine, semen, apparently it might seem innocent, but fair play here 's is as if we burned the British flag, that policies clearly do not appreciate ...
We see this exhibition as an exhibition of drawings by Van Gogh or Rembrandt, for example, it is not quite the same thing in their painting but it also participates.
There is like wearing a burka, we're in the middle of the subject, between observation and participation ... We do not want to be different, we want to be like the others ... With this exhibition, we can "celebrate" the modern life ... Focus on In many respects the religious practice of sex and sex workers can go and pray, for example, raising the paradoxes ...

Transversales : What is your work here on the show?

Gilbert and George :

The issue of the series, repetition here arises as a side "relentless" as obstinacy repeat ... Phone cards, for example, are social documents that did not exist, modern life is terrible in the sense in that we are constantly repeated that a sum of numbers of registrations, numbers mobile, fax, etc ... which come to cover our identity. This work serial, these variations reflected in some way ... It is better to finally be a criminal because eventually we no longer possess a number ... It's easier ... We reprocess all this and a little emotional as archives ... Unlike Warhol who in his celebrated series somehow consumption, we celebrate humanity.
Influence also that of Tantric drawings, the same color tones are found, these works have an aura similar to Chakra ...

Transverse "you said:" Postcards are our shields and our swords, our symbols, our visions, our tombstones and our masks ... "

Gilbert and George :

Whoever comes to see the exhibition can use, read, reconstruct these cards, these flyers in their own way ... We use something already there, but to talk with another voice. Art must be visible but differently. We're back to make it visible. A work of art is like stopping time is asking a moment to reflect ... For example, if you call a stranger on the street and you stop, there are great chances that s 'recalls in his life, art is like, or so we are trying to cause ...


Thanks to Alessandra Bellavita for his help





Saturday, February 12, 2011

When You Faint Do Your Eyes Stay Open

Warning. " I'm back. This is my repartee

What's up guys? It

gas? , I fart fire. (Okay, not really where you thought I pètais fire?)
Anyway, I'm back to stay. (Now I hear you say, again? You go, you come back, you go, you come back, you've criss-thou no Dominique Michel?) No, do not worry. First I measure only 4 feet 3 and I do not intend to release a Bye Bye. (In any case, not yet ..)

New in this month of February? Yes, many. I want you to worry about? Ben on that I want to. You did you want to know you? (Thee delivered to worry until there .. thus continues to read even if that interest you.) I'll see you all this. But not one shot. Did you really think I wanted to talk about what happened between January 7 (onset of my last post .. I try to be consistent in my life, both at the "caca" than in the rest of the day.) and now a draft? (No, not answer. It was not a real issue)

In any case, my strong start in 2011. I learn that I'll be uncle for the 2nd time. (My niece calls me; Toton. What sums up my life ..) You make me fart a wrist while attempting to execute positions. (In yoga, s not the Kama Sutra .. Yes I know what you thought. And it discusting .!!!)

short, full y'as business. Worse it is coming in your living room, in your computer. Bientôt.Ça feels very suspence. It's like a good thriller movie, but more fun.

Fack I see you again this week? (Respond yes to please me if you-like-). As soon
tse.

D.

Sunday, February 6, 2011

Disturbed Lead Singer Type Of Peircing

Loudenvielle. Stéphane Baratin world championship ski reserved for persons with mental disabilities

Stéphane Baratin dans sa combinaison équipe de France, encadré à gauche par Bernard Abélard, directeur de la station de Val-Louron ; Michel Castillon, président du Ski-Club, et à droite par son moniteur, Mathieu Pucel./Photo A. N.
Stéphane Baratin in his suit for France, sidebar by Abelard Bernard, director of the resort of Val-Louron; Michel Castillon, president of the Ski Club, and right by his instructor, Mathieu Pucel. / Photo YEAR



Stéphane Baratin, a member of the Ski Club of Val-Louron, has been selected to participate in world championships Ski reserved for persons with mental disabilities and who are held from 2 to 6 February, Autrans, alpine resort of Vercors. Programme: supergiant, giant slalom. Stéphane
, dismissed the Ski Club of Val-Louron since the age of 9 years and well integrated within the group, attended classes with other kids. Today he is 23 and has already participated in Special Olympics in Japan, where he won a silver medal. Good example of perseverance and determination!
(Source: http://www.ladepeche.fr/ )

Wednesday, January 26, 2011

Brazillian Waxing For Men By Females Singapore

Heterotopic ENTROPY?
















Emma Laine, untitled ("cocktail effect"), 2010
Photo: André Morin
Courtesy Triple V, Paris.



An empty room, empty of furniture ... Against the walls, only a few shelves, rare documents, placed on the ground, pinned. By land, residues different ... In the middle of the room stands a sculpture, mixture of organic materials, plant, resinous, forming strata ....
strange feeling, between abandonment, waiting ... and latency


Emma Laine in "cocktail effect" introduces us to his workshop, rather, photos of his workplace.
"cocktail effect" is part of a long tradition. Indeed, many representations of workshops in the history of Western art. These performances often took workshops obvious value, came to testify of joining their time, or less likely to report the progress of his time, and this engraving by Alberti, where the study of anatomy evokes medicine and its challenges. Emma Laine is not so far from this approach.




Alberti "academy painters"


documents lying around, scattered, a book of Goethe, phrenology board, photographs of a case of hysteria made by Charcot, an ancestor of computer and another photograph reproducing the fourth state of matter: the Plasma ... In this, Emma Laine joined this tradition of representation workshop but by establishing a chronology of the Enlightenment that would lead to today.

These documents obviously part of an archeology of creation, and remains, the remains of ancient exhibits that live in the studio ... work in progress, already exploited, or even like this sculpture, intended to be ephemeral ...

Show a workshop directed to participate in what is, the mental landscape of the artist.




Emma Laine, untitled ("cocktail effect"), 2010
Photo: André Morin
Courtesy Triple V, Paris.



To do this, Emmanuelle Lainé choses to put ourselves at the center of this workshop, it is presented in the form of panoramic photographs are enlarged to human scale to cover a large part of the exhibition space. It puts us in the center of the mental landscape, an effect reinforced by the fact that the sculpture in the center of the workshop. Space perception is reversed. We do look more around the sculpture, it surrounds us, surrounds us with his presence, stares at us ...

Would it not about world revolution, already disappeared?

Emma Laine appears to establish a similarity between an artist's studio and laboratory science: a place for study, research, speculation, too, think the world at present and also to the future ...








Many of his artistic works have to do with the scientific world, with works like "Goldfingia," inspired by a worm water, siponcle dating back to the Cambrian or even as "Extraballe" sphere polyurethane elastomer virtues bouncing, n ' at'elle not patented a work "The Discoplan" as the first Frisbee removable?

These speculations have brought some scientists to "fiction" to understand the world ... Emma Laine asks in his work, this part of Utopia, which houses the science ... It was a time when science claimed to satisfy or express the wildest dreams ... The positivist ideology, faith in science irrigating a Western thought, faith in the future, progress ... Just think of the first books to advance, Jules Verne, for example ... Then quickly came the disillusionment, the Nazi extermination camps, "Hiroshima" confidence in the big modernist idealism gradually became extinct, confidence in the future as a consequence ...





Emma Laine, untitled ("cocktail effect"), 2010
Photo: Andre Morin
Courtesy Triple V, Paris.



"cocktail effect" reflects the years of utopias where avant-garde artists like science, thought change lives, change the world.
The workshop would it then this place is just the latest utopian refuge, a place of refuge where they could still consider a heterotopia? Far less is safer. Emma Laine testify - also the disappearance of this specific inherited a classic design increasingly replaced by a nomadic practice, to "workshop exploded" as Peter would say Buraglio.

"cocktail effect" leaves us with a wasteland where nothing sensible would last, like this sculpture ephemeral.





Emma Laine
Effect cocktail
January 07, 2011-February 5, 2011 at


Triple V
24 rue Louise Weiss

75013 Paris France
info@triple-v.fr
www.triple-v.fr
Tel: +33 (0) 1 45 84

Wednesday, January 19, 2011

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Trans (es) machinic


















"Between the Lines" Mounir Fatmi ... An invitation to read between the lines, capture, interrogate Between the two, beyond dualities, binary principles ...


The cultural interpenetration feed the work of Mounir Fatmi. It continues to mix, to compare, mix, dialogue between cultures, his first, the Maghreb, by extension, the Muslim world and the Western world .... Mounir Fatmi: everywhere and nowhere ...





"And yet it moves! Revolution # 1" @ gallery courtesy
Hussenot






relations between cultures, often cause friction, antagonisms, misunderstandings are usually sealed under the seal of the conflict. Mounir Fatmi and could just play these antagonisms, just the face, pointing a finger, but his work is beyond dualism as binary west / east, north / south ...
This work proposes a real hybrid in which each culture blending, interpenetrating. Work which, to borrow the main idea of Edouard Glissant, where the mixing would take programmatic value, where you can talk ryzhome identity, an identity-relation who comes here to oppose identity root. The in-between Mounir Fatmi not the result of an attitude of withdrawal but introduces a polysemy where each piece is made responsible for a multiplicity of meaning. "Falls" cash reversed, which are spread on the ground metal letters of the Arabic alphabet, we should at the assembly, the reconstruction is constantly updated. This piece is emblematic of the approach of Mounir Fatmi. Invitation to rewrite Mounir Fatmi which provides us the tools.



"The Falls"

courtesy @ Gallery Hussenot



projections Mounir Fatmi as " Technologia " or " Modern Times History of the machine have a lot to do with" Rotoreliefs "or" The chocolate grinder "Marcel Duchamp,

They also refer to Sufism, the whirling dervishes, whose body dances, connecting earth and sky, become intercessors between the divine and the profane, the cantillations heady verses from the Koran, the mills Tibetan prayer to the haunting "Dream Machine " by Brion Gysin.





"Dream Machine"


These two works and to a lesser degree "Mixology " we seek our involvement in retinal mesmerizing experience as with the "Dream Machine . Impossibility of fixing the eye, with the focal point as the line of sight based perspective. Entering
impossible synchronic and diachronic, which refers to instability, lack of reference, the whirl of images, information, we constantly seek. Recall also our multiplicity.

" Modern Times A History of the Machine "... The Chaplin film in which it narrowly escaped the great mechanical shredders ... Of times gone? That of modernism and the avant-garde now classified as historic and outdated notions which Mounir Fatmi take note?
Cogs who gradually escape the hand worker. These workings, these mechanical symbols and incarnations of capitalist rationality leading to Fordism ... Time of industrial modernism that fades to give way at a less palpable ...

Cogs becoming virtual now until the evacuation of idea of the proletariat, of class struggle in our societies, machinery and mechanical but who find themselves relocated, Asia, North Africa ... "Modern Times, History of the machine, machinery, virtual engine that idles for himself, which produces nothing.

Although he denies it, try hard not to read here, including an art critic on a political dimension to an uncontrolled runaway of a new form of capitalism ... which post-modernism would emanate?



" Kissing Circle # 3"

@ gallery courtesy Hussenot


The use of coaxial antenna cable, VHS tapes, materials of choice among Mounir Fatmi to form his paintings and installations, reinforcing the idea of permanent flux, continuous irrigating our contemporary, our relationships with other.
The recurrence of formal vocabulary, makes a circle of rosettes, calligraphy, recurrence of material just dig the idea of repetition, movement, passage. Critical stance Mounir Fatmi also noting the loss of reference of the human lost in this maze of communication he has lost control. This facility

entitled "Licht Merhi! "makes photocopiers which are placed on the neon flash which attempts to capture the neon light of these plays on the repetition, copying, on the idea of reproducibility. But also plays light against light, grab a light from another light, thereby causing an aporia. Mounir Fatmi looks and plays the disturbance.
As in "mixology", the disc pack on the mixing deck are covered with Arabic calligraphy and are constantly rotated from left to right and from right to left, impairing the meaning of the reading of these characters ... visual disturbance and reflection on travel, friction, cultural interactions ... Query on music, culture industry by global excellence and its relation to Islam. Again, Mounir Fatmi has slipped in-between, just play the polysemy.

Mounir Fatmi lives in a world in motion, unstable due to displacement, slip, friction, a world which is not easy reading, his work shows.

Mounir Fatmi

"Between the Lines"

January 8 to 24 February

gallery Hussenot

5a Street Haudriettes

75003 Paris

Phone: 01 48 87 60 81

Fax: 01 48 87 05 01

Friday, January 7, 2011

How To Get Bonded In Ontario Canada

toé ...

toé Yeah. S't'encore moe. Must be done. J'te said. Ben as well as being there, listening to the video.

D.

Saturday, January 1, 2011

Flag Retirement Cakes

We wish you .. nanana And the Happy New year. "

7, .6, .5, .4, .3, .2, .1, .. HAPPY NEW YEAR!


Welcome Home 2011. You, the slut, or health or prosperity, happiness & peace for us all. (Should we really think a little too feminine.) May this new year just beginning is excellent. If not more exciting and better than the last.

2011 is synonymous with success for some of us. I feel that for me it will be. A wind of change comes you turn in my favor and I will do everything I can and more to achieve my goals in the new year.

My show in March, my enrollment in school, stay and keep fit. (And I do not mean to keep my circle shape.) Write, write & write again. Spending time with choice I like those bad ones that I do not like, well, too bad for you. :)

I know that 2011 will be my year, I feel it. And for all of you too. We all have the right to share a bit of happiness.

Shine, sing, play, taste, smell, try, laugh & have fun.
Happy New Year.

D.