Any body immersed in a liquid undergoes a vertical thrust directed upwards, and intensity equivalent to the weight of liquid displaced ...
The body of Jennifer Lund suffer all the law of buoyancy, some attempt to resist it, others allow themselves to float, drift, ... body of men, women's bodies in various postures, some folded on themselves, Other growing in symbiosis ... But also resistance to the water element as the man seemed to meet the challenge of Archimedes, arm outstretched, allure martial superhero look a Promethean moment of triumph ... Jennifer We therefore propose bodies immersed in something that is not theirs ... The water element, but paramount, we do not proposing it not a sort of comeback to the matrix element, to the original amniotic liquid ?
The body of Jennifer Lund suffer all the law of buoyancy, some attempt to resist it, others allow themselves to float, drift, ... body of men, women's bodies in various postures, some folded on themselves, Other growing in symbiosis ... But also resistance to the water element as the man seemed to meet the challenge of Archimedes, arm outstretched, allure martial superhero look a Promethean moment of triumph ... Jennifer We therefore propose bodies immersed in something that is not theirs ... The water element, but paramount, we do not proposing it not a sort of comeback to the matrix element, to the original amniotic liquid ?
attitudes of resistance, abandonment, osmosis or are they not revealing our attitudes everyday?
These attitudes are seen through the distorting mirror of the water ... The contours become blurred, deform, members split ... Become ambivalent, nudity is no longer in all its rawness, but is filtered by the effects of reflections, where is the truth of the body, where the truth lies in the image? Jennifer Lund plays this truth before entering an era of suspicion, photography has long been considered a reliable document. The photographer gives us to see the image and its reflection, we plunged into indistinctness, amused by the proximity of photography with reality, it distorts at will.
"Photography is a machine to capture rather than represent. Capture forces, movements, intensities, densities, visible or not; not represent reality, but produce and reproduce the visible (not visible) "
Photography Andre Rouille
Jennifer Lund plays with this fundamental principle of uptake. But what exactly do they see? Is this the man or woman that we see or is it his reflection? We as caught in the cave where the shadows are projected agitated. Illusionist power of photography in this series offered by photography. That is what we see, time, motion can be found distorted. In the interstices of time come to take and hang the shimmering liquid movements.
Dominants blue and green, nudity just unreal reinforce this impression of timelessness, the suspension of movement and time ... The movement takes time and vanishes in the floating ... Finally, as Ophelia, dead, floating in water, covered with his robe of eternity, we are only "99% waters" ...
"99% Water"
Jennifer LUND
Until July 3
RIFF ART PROJECTS
48 rue Chapon 75003 Paris
00 33 6 30 52 27 19
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