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Am I here?

Lord I'm damned.

so I apologize. I'm not often but really not often on my blog lately. I know I have to disappoint some, but with 60 hours of work per week, say that my priorities are changed, either working, sleeping, eating & living. And of course, Josh Groban sing.

Without joke, I work a lot and write a lot more on my numbers these days. I forget just how good it is to vent on a blog. On an old octogenarian but also on a blog, wow. The worst is that at night I come on my blog hoping to find new articles already written. This is nonsense.

I want to thank you all and to be faithful to each post (No, Éric Salvail do not pay me to advertise for his new show aired on TVA.) Be still as likely to read my blog each new articles. It touches me to know I gives a smile to people and I do their day just by reading my frustrations. So I will continue to be fru just for you. :)

Continue down the street stop me spitting in the face that you like what I write. It's a real pleasure for me to do what I'm doing now. It's fun because here in Val-d'Or, drill in humor is difficult. As difficult as constipation who have abused a little too much strawberry extract. It jammed as my mother would say.

For you I'll keep writing and make you laugh. (At least I'll try.)
I'll put on my blog and on my Facebook. A PIN for BlackBerry utilisiteurs to follow me throughout my adventures, even when you force the horse porcelain. Yes I will.

that, I'm working on tonight's show François Léveillé. Ah the life of an artist is so exhausting. (In the locker room still is something, but it's better than nothing haha.)

D.

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From bling bling and the world ...

All by engaging in a personal and subjective tiv e, Arnaud Cohen does not hesitate to plunge his work in the here and now, confront in terms of timeliness, a form of guerrilla fun ...

Arnaud Cohen offers a universe "kitsch" in appearance, filled with objects or colored figures, even garish objects already existing, but customized, fiddle, having undergone hybridization ... Nothing too serious at first: garden gnomes dressed for sex instead of the nose, china ... These objects are harmless at first glance far from innocent ...

Arnaud Cohen voluntarily taken the risk to include its travau x in a given period. The title of his exhibition "Love is coming, I share my years Sarkozy" sets the tempo.

"Bling Bling Parade

The first reaction is consider the proposed works to be inseparable in this period related to a specific name. Indeed some of them, as "Bling_bling parade or "Live Presidential plug" reading is im mediately comparable mandate Sarkozy.

"Dive plug presidential"

of Use objects, then, but then diverted recontextualized objects. Arnaud Cohen charging them to blow significances. Setting confrontation, the involvement, interaction always come to support reflection, a critical perspective, political, in this case here, liberalism.

is not "Years Sarkozy" but My has nnées Sarkozy " Grade importantly, the view is not necessary as the only legitimate, or who value truth absolute subjectivity is here claimed. Arnaud Cohen does not seek to compel but to refer ... His work is not an activity book in terms effective activist. The assertion of subjectivity can demonstrate a withdrawal necessary although using certain methods of the Agit-Prop, the example of "vanity" armies operating as much apprehension in us pointing the finger if you can say.

"in Vanity fox "

This temporal dimension given in the work of Arnold Cohen, borrowing from everyday objects, cartoons, a popular world, the closer the approach of "Figuration Narrative" including Fromanger or a Lebel ...

Arnaud Cohen could endorse the statement of Gerald Gassiot-Talabot, "to the derision of American pop static, they oppose" all "the movement of precious life ". Arnaud Cohen does not deny any affiliation with Pop Art but exceeds ambiguous attitude: cynical posture or complacent with the post-

Arnaud But Cohen is not fooled by the idealistic illusion subsequent any attempt at art "activist", "Love Is Coming" apprehended as a whole more like a diary, as a working columnist ...

It also comes tap into the cultural codes and iconographic Western nurture our collective imagination vanities, pictures of martyrs who inhabit Western religious art, times tables devoted to cultural heritage as "Kidnapping of the Sabines " David. This reappropriation of David refers hollowed emment to history painting and the ideological use of the paint. David, first Jacobin, then the official painter of Napoleon.

In Cohen, the head of vanity disappears and gives way to a e hand brandishing a pistol, the theme of crucifixion, "Saint Sebastian "and other performances suffer the same fate. These are recycled and the body become cabins of aircraft on which come to mark the stigmata martyr.

Crucifixion

Arnaud Cohen's work is often and polysemic double trigger. He plays initially, with ironic reversal of values. But this irony soon gives way to a feeling of trouble ... The airplanes or parts of planes are works as "Crucifixion", "Saint Sebastian" or "Saint John" we explode in the face and the first reading immediately below the figure of Sarkozy would deploy just one second. Like Badiou in which "What is Sarkozy's name? "Came wonder what Sarkozy was, Arnaud Cohen has broadened the scope and contextualize" Love is coming, my years Sarkozy "in a broader perspective than the post-11 September.

"In this respect, can we not say that the attack on the World Trade Center disaster Hollywood films is what pornography is to snuff porn sado_maso classics? It is for this reason that the statement is not false provocative Karl-Heinz Stockhausen that the planes hitting the towers constituted a work of art: one can quite perceive the collapse of the towers as the conclusion of "The Passion of the real" art of the twentieth century "

Slavoj Zizeck

The specter of Sept. 11 arose here. with at first, questioning the underlying never tires of challenge by his ambivalence. Ambivalence obviously sought by Arnaud Cohen: who are the martyrs? The victims of the attacks which, as in the phraseology of the Islamist bombers?

referral by Christian iconography, as does Arnaud Cohen, has experience as a Christian fundamentalist discourse quick to denounce Islam as a religion intolerant, just as we question the controversial thesis of Samuel Huntington in his book supported "Clash of Civilizations" .

Secondly, Arnaud Cohen raises the issue of perception of reality, our real "Desert of the Real" work which gives a map of Europe and title inspired by the Matrix movie and went by Slavoj Zizeck, returns to our stunning face the event and the idea of a new era. And to quote yet Zizeck

"Nothing happens at the level of visible material reality, no massive explosion, yet known lunivers seffondrer begins, life disintegrates. "Welcome in the world of reality, Slavoj Zizek, Flammarion, 2005

What stresses Arnaud Cohen, with bitter irony: Love is coming!

these "vanities" armies which we link arms outstretched, do not they designate us in all our potential victim, arms faceless, invisible enemy we can not identify ... That's the reality effect!

"Love is coming" we also tends arms by the strong potential sexual emanating works: Guns stretched like gender, oblong shapes of the fuselage cabin, a universe of James Bond ... The Sabines, treated tires are more than gaping holes subject to the desires of the Empire, garden gnomes in Appendices godeuses ...

Again, Arnaud Cohen plays the ambivalence: sex and death are linked. Drive Death and pornography? Where sex is more than the image of sex ...

Pornography for a presidency that quenches his reign appear, pornography easement zealous in the service of liberal ideology, that of "rights in rats", a nickname given by Alain Badiou to Nicolas Sarkozy,

"Love is coming, my years Sarkozy" gives us just an observation and warns that Sarkozy is the loincloth of the iceberg ...

Arnaud Cohen

"Love is coming, my years Sarkozy, part I"

until November 6, 2010

Galerie Xavier Nicolas

12, Rue des Coutures Saint Gervais

75003 PARIS

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When the television at the cinema ...

professional troublemaker troublemaker around in circles, Pierre Carles is not his first attempt! End of concession but a new phase in the career of the author of explosive Not seen not taken - often cited in his latest film .


natural son of Bourdieu and Chomsky, Carles tackles for privatization or rather, the legitimacy of privatization and the renewal of the franchise since 1987, the first French television channel. The survey gives free rein to the inspiration of the journalist and the comedian to the delight of spectators. But beneath the laughter, rage! Master of insolence, or Carlos Pedro Pierre Carles it depends, delivers a scathing moral lesson and no one emerges unscathed.
And yes! Everyone takes for his rank: the marriage of big business and small screen, no witness has triumphed winner. You bump into your everyday heroes, the stars of your morning and evening at your captions ... Of true-false interview of Fidel Castro by PPDA to sacred nights Elise Lucet, not to mention the missed appointments with Jacques Chancel or consecration of farcical Pujadas The review affects everyone and everything and everyone turns to derision. The author himself goes! From a world that manages to make pathetic and cruel, Pierre Carles draws near, however, a reflection of overwhelming force relevance.

is a film. No. A farce. Molière a new way in which actors play the role of characters who would be players who are puppets. And everything is taken by power of both wild and baroque and knows of lamentable accents - in the true sense of the word please!

Who is Pierre Carles, and what does he want? Whether we want it? Is ... the next draft is misleading. Here, everything is carefully calculated. Mask the true-false mustache of the Uruguayan journalist costume collaborator and performer, virtually nothing is left to chance if not from the witness and the investigator, the frail craft that attacks icebreakers to a television, private or public seems to have been purchased by the king of silence ... Weapon of mass delusion, the camera reveals, charges and cuts through the heart. Plans jerky prospects split, real interviews simulated traps, the team of Pierre Carles place his stratagems and the partition of an anguish that is growing and reliably.

Far from being disappointing, the result is rather disconcerting. And leaves a number of outstanding issues, like the works that are problematic and not bad entertainment interspersed with advertising. " In the land of Nicolas Sarkozy, this concession then has an air of quiet response in the form of hope ... and pessimism. What will remain of it all? To us ... see!

Axelle Girard

A film by Pierre Carles - Produced by Annie Gonzalez - Edited by Bernard SasiaAvecHervé Bourges, Jean-Marie Cavada, Jacques Chancel, Michele Cotta, Jean-Pierre Elkabbach, Elise Lucet , Etienne Mougeotte, Christine Ockrent, Audrey Pulvar, Bernard Tapie, Charles Villeneuve ... 2:05 / France / Output in October 2010

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Counterpoint exposure
















After many adventures and other censures the exhibition "Russian counterpoint" was finally able to start in this Wednesday, October 13.


The wait was intense as far as the relief of curator Marie-Laure Bernadac that between red tape and disagreements with the artists had to fight until the last minute to "counterpoint" to take place under conditions almost "normal"! But in this day strike Wednesday and demands no less political than those of artists from distant Russia ... it's a wise exposure awaiting us in the heart of the medieval Louvre ...







Yuri Leiderman
Geopoetics, 2010
In the series "Geopoetics' performance Louvre. © Yuri Leiderman

Some works, too few alas, fifteen of the most famous artists of the Russian art scene such as models and sketches and Ilya Kabakov Emilia: The "Iron Mushrooms "Igor and Elena Makarevitch Elagina representing a symbol of Russia Amanita tradition on which the tower of Tatlin paving the way for modernity "Black Night, White Snow" by Erik Bulatov, "Russia's most wanted painting" Komar and Melamid "Business Man Toy Factory" AES + F Grouple sulfur "Abstractionnism Radical Avdei of Ter-Oganian, and" The Flag of Mordor Black Square With Curls "Pavel Pepperstein ...

Ilya and Emilia Kabakov

Sketch for the dungeon, 2009
© ADAGP, Paris 2009

The choice of presenting well known artists and recognized "various generations and tendencies of contemporary art with Russian Conceptualism of Moscow" is a deliberate show of Russian contemporary art radically critical and politically engaged. It is a choice, why not? But in this case is it any wonder that the censorship, boycotts and demands for the Russian artist Oleg exiled Mavromatti come "scramble" the harmony of the "counterpoint"?



remember there ten days, the work of Ter-Avdei Oganian had been censored by the authorities ... The solution to reprint such works (which are multiples) was then proposed by Mr Gelman, gallery Ter-Oganian. Ter Oganian by formulating two refused to accept demands that his work can be found in the Louvre. Requirement No. 1: that censorship was lifted and sent his work to the Louvre from Moscow. Requirement No. 2: the artist Oleg Mavromatti currently exiled in Bulgaria, which we refuse to extend the passport and thus must return to Russia where he was met at the prison better (because of performance that the church has deemed disrespectful against orthodoxy), and at worst death (because it has undergone numerous threats) ...







© Ter-Oganyan Avdyei




Thanks to the perseverance of Ms. Bernadac censorship was lifted ... and the work of Ter-Oganian arrived the Louvre without difficulty. But if Mavromatti, no solution could be found to this day! Ter Oganian, aware of the difficulties of the Louvre, however, remained intransigent (see letter No. 2 Ms. Bernadac) denying that his work will be exposed as the case would Mavromatti résolu.Dans his letter he asked that Instead of his work appears a text which would explain to visitors where Mavromatti.





It should be noted that most of the artists participating in "Counterpoint" to have dealer Marat Guelman, owner of Guelman Gallery in Moscow, but also the Director of the Museum of Contemporary Art Permm (Russia). Note also that among the works shown, those of A. Brodsky, Komar and Melamid and Ter-Oganian belong to the Museum collection Permm, while those belonging Dubossarsky & Vinogradov, they, collection Marat Guelman Gallery In fact, the works that Ter-Oganian refuses to see in the Louvre Museum Permm belong to, which despite the contrary opinion of Ter-Oganian decided to lend the Louvre! Today, opening day while the 4 works of Ter-Oganian were indeed hung ...







Ter Ogadian interview © gilda guegamian

I glimpsed in a corner of the corridor near the exhibition hall a man speaking Russian with a restless journalist and his interpreter who tried to interview him. It was Ter-Oganian, who explained to us being here for the exhibition because he needed to explain. "My work is a political act. The presence of my work here is nonsense. As Mavromatti not receive a passport and will not be free, the presence of my work here will be a non-sens.J have written a text of eight pages to explain the situation. I would allow myself to read it! "

" You know, I understand my fellow artists, it's a dream to exhibit at the Louvre, even if it is an exhibition in a small cellar (маленький подвал) ... but it was enough that together with the Louvre to pressure us to do things to change for Mavromatti, because for him it is a matter of life or death! "

Today, the day of opening where the jet set looks champagne in hand works called" committed ", somewhere in Bulgaria, a man, Oleg Mavromatti, waiting to see whether exposure consists of works politically engaged, will engage with him and through him to defend freedom of expression. But life is not art ... and do not say!

Gilda

Guégamian

Letter No. 2, Ter-Oganyan Avdyei Marie-Laure Bernadac, curator

"Dear Marie-Laure!

Thank you for your kind words about my work and your understanding.

Our small victory of course makes me very happy. After all, the Ministry of Culture of Russia did acknowledge bringing wrongly charges of inciting religious hatred on artists and their works.

But I can not in any way I accept this symbolic victory on the ground. It is now clear that Oleg Mavromatti faces prison simply because he has shown during his performance the crucifixion of Christ. Most of my requirements is sent to the Russian Ministry of Foreign Affairs, and even if this problem is not resolved, they will at least disgraced.

If there had been no problems Mavromatti I probably would not have presented an ultimatum to the Ministry of Culture and would perhaps have accepted the fact that my work is printed in Paris.

I am sorry that other artists do not support me not. But I know these people and understand them perfectly. My goal is in no way discredit them, and even less about yourself. Please understand me. I already made a public statement where I said that I refuse to participate in the exhibition without the problem of Oleg Mavromati is resolved. This statement was not spontaneous. I see no reason to refute it. My goal was and is to draw attention not only Russia but also the French public, on the very specific problem of an artist, who must necessarily be resolved now. It seems to me that the French public may have an impact not only on the Russian Ministry of Foreign Affairs, but also on the department in charge of refugees Ministry of Foreign Affairs of Bulgaria.

For my part, it is clear that the absence of my work at the exhibition will attract more public attention than his presence.

Again I ask you to please give me your support on this issue. You can support me fair, highlighting my absence, leaving the wall space where my work should have been empty with a brief comment on the reasons for my refusal.

I think a letter to the Ministry for Refugees in Bulgaria ( http://community.livejournal.com/mavro matti/3708.html), from a great institution like the Louvre, would impress the Bulgarian officials.

Again I apologize. I trust that you will not hinder my desire not to participate in the exhibition.

Sincerely, Your

Ter-Oganyan Avdyei

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Y'as a problem.?

Explain me,

Why the earth is populated by people not too holy of mind? I look bitch when I say that, but lord. That's true. Basically, I am perhaps part.

Today, Tuesday, coming out of my my way, my weekly day of Yoga as expected, I walked slowly (but surely.) To my house. While relaxing and trying to wake me up (because god knows Yoga, it relaxes you "?&@), I crossed the street with my back pack and a guy y'as. (At least I think. . I hope.) who stop me to tell me; Aillle you going to school souaire toé?. (The slang was required.)

First, No, your Yeul. (Yes, ta was Yeul necessary, but I am told in my head, I remain still sissy.) I come back from the gym.
He answered by approximation too close to me; Pis ta ce Mohawk cut it? Yes, he retorted, beginning to have the dog.

I spat in his face one; Ayyyyoye men, you're cutting Pitawa, cutting makes freaker Canada. Your machine, your clothes ... (while continuing its "path" .. surely not that of Compostela.)

First 2; have known that Loco-Locasse be in town I would at least try to have the looks a little concerned about what you told me And second, "Your clothes, your clothes .." ty who come to me say that? A guy who, obviously a problem because the 2 buccal teeth you have left in the mouth was too dark to go and taste them with a smile and cut "Krosty the Clown makes a beginning of Baldness "worse than thee thy lawless red panties, you probably deserve more than me, a contravention of style. Fack "Your clothes, your clothes." You the Met in "Pitawa."

I know, I hear you say, Danny, the guy there did not you disgusted on your machine, y'as just a vocabulary limited to "your machine" and "Thank God you're here ..". But I am still allowed to evacuate my misunderstanding.

Y'as people "special" on earth and I am surment party.

D.

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Tik, Toc.

That so little time.

say that I was not the time to speak with you. I'm just working and yet, we'd say I'm over-loaded. (My god, the English aroused in me., Oh no, he was asleep.) I'm just doing this work, 40 hours a week. The rest of the time I was looking for double or guys from the Collection a little too non-hetero kitsch. (This is far from being an insult. It's the new trend Fall-Winter 2010)

Not without stuffing. We would say that I have not time. Not true. I do not want to find the time. Y'as really asser not 24 hours in a day to do whatever you want to do. I'd give it me to eat at a homeless shelter made with the scorbus, disconnect the computer from a geek freaks net, slapping orphans quadriplegics. (Okk, a little bit to much stuff.)

Like the orphan quadriplegics.

But until I work and I spend most of my time writing my show. (Did you really think OD and listened Collection?, Haha, yeah.)

All this make me think of an anecdote of the most comical.

I thought, I do not have to tell you either. Y'as too many stories with Small ladies who came to me at the jewelry store recently and I can not wait to let you know. When? Probably after the end of the television series, Virginia. (Who incidentally, was excellent before the departure of Chantal Fontaine, since we'd just remakes of Watatatow.)

No seriously, whenever I can I return to the attack by bombarding you with more anecdotes than one connes others.

Meanwhile, I'll try to find time.

D.