How To Make A Elevator Robopro

Autoconsumation

Waltzes caddies, and Wheelchair percussions barrels, boots pounding the martial rifles rotary drills panicked, hoquètent cars, neon subsidence
... So many aspects of proposals and harmless invitation to play ...
But if the most everyday objects of our environment became autonomous , were happening to us? And if these games were our innocent nightmare?

So with Delphine Reist, we enter a world of crazy objects to autonomous mechanical and uncontrollable ... liabilities facing them, the mastery of these elusive objects, they do not meet our orders, they play in our control their enthusiasms, their random set in motion ... we are not excluded but placed as a fait accompli face these mechanical drift inconsistent in their behavior, like drunken boat ... There appears to be very soon the political dimension of the works of Delphine Reist which takes us first to sense a revolt of the objects we produce ... Should we see a metaphorical reading of the panic of our world, dropped in a free wheel without a pilot in the plane? The world of JG Ballard is not far either, prostheses attached to our bodies and makes us slaves. March in step as these rubber boots that come alive only on military tunes ...

http://video.fc2.com/content.php?kobj_up_id=20080603uNaLGweK

Innocence? anymore.
The choice of places, most often brownfields, parking lots, places a priority non-institutionalized or a gallery space is also involved because the objects animated face walls, walls of the institution? The intention is to cover everyone, to seek an audience that are not "happy few". The purpose is not to judge the effectiveness or not but try to meet in what terms and how his approach is political.

Delphine Reist

The first evidence that strikes the mind and eyes to work and taking part triturating manufactured objects such as tools or utensils usual, these are obvious affiliations with Marcel Duchamp and his readymades. At its single machine as a concept that fueled the Dada movement with these series of mechanisms in search of a perpetual motion impossible, a senseless quest to limit the absurd ... with Picabia's "Girl born without a mother" for example ... Roman Signer Tinguely are also nearby.

"Recording surfaces, bodies without organs (...) is essentially the establishment of an enchanted area of registration or registration who takes all the productive forces and production organization, and acts as a quasi-cause in them of the apparent motion, " this is the definition that gives Deleuze and Guattari single machine.

"Girl born without a mother" Francis Picabia


Machine single call for a form of eroticism mechanized, as there is some relation to the death in the devices of Jean Tinguely, "a tribute to New York" is exemplary in this sense, equipment which will go to its self-destruction by a series of events chain ... McLuhan raised the theory that we are like bees to the flowers that the genitalia of objects ... This idea joins the concept of this single machine that self-eroticizes.

Delphine Reist


This strong erotic potential and obituary them links between eroticism and death are no longer in doubt, take its place among Delphine Reist, in all the important work it undertakes on fluids too.
fluids, such as seminal fluids, as fluid flow, exchange or closed ...
The components of these fluids by Delphine Reist are most usually oil drain. Materials recycled-goods ad libitum, which shows Delphine Reist Policy fluids as a metaphor for the movement of goods often manufactured in factories relocated, hence also the insistence of exhibit Delphine Reist in brownfield places symbolic of an industry ... late

Delphine Reist

"The wealth of societies in which reigns the capitalist mode of production itself as an immense accumulation of commodities. The analysis of the commodity, this elementary form of wealth, will therefore be the starting point of our research, "Karl Marx

goods, objects, fluids, circulation ... It is not far from the work of a Gianni Motti when it plays on the notion of use value and value exchange with banknotes. It sets out how our consumption, money, virtual fluid often fetishized and also in the galleries ...



Gianni Motti

Delphine Reist speaks in its own way of fetishization of the commodity , the erotic impulse that seizes us deal with things ... But a morbid impulse, an eroticism without object, without pleasure masturbation, quasi-officer ... The great strength of liberalism is to play and create frustration its mode of operation conditions for eroticism onanisée, reified and lonely. Finally, these caddies, these chairs are agitated, we show the emptiness of this economic system ... but also points our absence. And it proposes a political resistance in his works.

Delphine Reist

No human presence in Delphine Reist. This presence-absence haunts all his work, the emptiness of a brownfield, as an empty chair work Delphine Reist dig the metaphor of the absent body, a body whose only remaining implants, a désérotisé body, a body deprived ...
Delphine Reist we ask the question: what are these machines singles, merchandise or us?