professional troublemaker troublemaker around in circles, Pierre Carles is not his first attempt! End of concession but a new phase in the career of the author of explosive Not seen not taken - often cited in his latest film .
natural son of Bourdieu and Chomsky, Carles tackles for privatization or rather, the legitimacy of privatization and the renewal of the franchise since 1987, the first French television channel. The survey gives free rein to the inspiration of the journalist and the comedian to the delight of spectators. But beneath the laughter, rage! Master of insolence, or Carlos Pedro Pierre Carles it depends, delivers a scathing moral lesson and no one emerges unscathed.
And yes! Everyone takes for his rank: the marriage of big business and small screen, no witness has triumphed winner. You bump into your everyday heroes, the stars of your morning and evening at your captions ... Of true-false interview of Fidel Castro by PPDA to sacred nights Elise Lucet, not to mention the missed appointments with Jacques Chancel or consecration of farcical Pujadas The review affects everyone and everything and everyone turns to derision. The author himself goes! From a world that manages to make pathetic and cruel, Pierre Carles draws near, however, a reflection of overwhelming force relevance.
natural son of Bourdieu and Chomsky, Carles tackles for privatization or rather, the legitimacy of privatization and the renewal of the franchise since 1987, the first French television channel. The survey gives free rein to the inspiration of the journalist and the comedian to the delight of spectators. But beneath the laughter, rage! Master of insolence, or Carlos Pedro Pierre Carles it depends, delivers a scathing moral lesson and no one emerges unscathed.
And yes! Everyone takes for his rank: the marriage of big business and small screen, no witness has triumphed winner. You bump into your everyday heroes, the stars of your morning and evening at your captions ... Of true-false interview of Fidel Castro by PPDA to sacred nights Elise Lucet, not to mention the missed appointments with Jacques Chancel or consecration of farcical Pujadas The review affects everyone and everything and everyone turns to derision. The author himself goes! From a world that manages to make pathetic and cruel, Pierre Carles draws near, however, a reflection of overwhelming force relevance.
is a film. No. A farce. Molière a new way in which actors play the role of characters who would be players who are puppets. And everything is taken by power of both wild and baroque and knows of lamentable accents - in the true sense of the word please!
Who is Pierre Carles, and what does he want? Whether we want it? Is ... the next draft is misleading. Here, everything is carefully calculated. Mask the true-false mustache of the Uruguayan journalist costume collaborator and performer, virtually nothing is left to chance if not from the witness and the investigator, the frail craft that attacks icebreakers to a television, private or public seems to have been purchased by the king of silence ... Weapon of mass delusion, the camera reveals, charges and cuts through the heart. Plans jerky prospects split, real interviews simulated traps, the team of Pierre Carles place his stratagems and the partition of an anguish that is growing and reliably.
Far from being disappointing, the result is rather disconcerting. And leaves a number of outstanding issues, like the works that are problematic and not bad entertainment interspersed with advertising. " In the land of Nicolas Sarkozy, this concession then has an air of quiet response in the form of hope ... and pessimism. What will remain of it all? To us ... see!
Axelle Girard
A film by Pierre Carles - Produced by Annie Gonzalez - Edited by Bernard SasiaAvecHervé Bourges, Jean-Marie Cavada, Jacques Chancel, Michele Cotta, Jean-Pierre Elkabbach, Elise Lucet , Etienne Mougeotte, Christine Ockrent, Audrey Pulvar, Bernard Tapie, Charles Villeneuve ... 2:05 / France / Output in October 2010
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